![]() ![]() Where would you like to see yourself five years from now? This experience has gained me confidence in my work which inspires me to push myself further in my future design contributions.” Seeing the refined idea be implemented into plans and elevations. “This project has enabled me to think more in terms of practicality in set design and the detail which can go into a design to make it more convincing to audiences. Has this experience shaped or inspired your professional pathway? I enjoyed implementing my research into the design motifs within my set to see my idea become real and a convincing space for storytelling, from the shanty wooden tiles to the dusty sash windows.” “For me, it was the process of seeing a concept become practical and contextualised within a space. ![]() What are some of your personal/favourite moments of the design? For this project, I had to create concepts, technical drawings and plans to accompany my design along with research and various other components to communicate my design proposal.” I picked up on a lot of the cues from the text surrounding the connection between the people and the land as well as sterility to create a crumbling farmhouse to be the staple set piece within an unforgiving landscape. “My set design project reimagined Federico Garcia Lorca’s theatrical play, Blood Wedding, to be set within the Texas panhandle during the Dust Bowl amidst the Great Depression. I then used my free time to build upon the initial project using the knowledge I had gained on work placement to improve it.”Ĭould you briefly outline your project and what it entailed? “I heard about the scholarship from my main tutor, Stelios, who encouraged us to enter our second-year projects. How did you hear about the Vectorworks Design Scholarship? I spent quite a bit of time using the software on my own during the design process, which familiarised me with it.” It was a great help to have the professional guidance from him as I progressed through the technical drawing so I could get valuable input on areas to improve as I went along. “I first started using Vectorworks after my mentor showed me the basics of using the software for set design. I have long been inspired by immersive set design from a young age by Disney’s Imagineers, and I continue to be influenced by production designers such as Rick Heinrichs and David Wasco, and Sandy Reynolds-Wasco.”ĭo you consider yourself self-taught, or did you develop your craft in the classroom, using online tutorials, or otherwise? “I started learning to use Vectorworks in my second year at Nottingham Trent University to draft and realise my ideas for my Blood Wedding Reimagined project. How long have you been using Vectorworks or pre-visualisation/CAD softwares, and what initially inspired your interest in building projects/shows? Three scholars from the entertainment industry – Kane Hollingsworth, Brock Keeler and Martin Benesh – enthuse about the creative capabilities of Vectorworks, reflect on their winning bids and share what’s next in their burgeoning careers.īlood Wedding Reimagined by Kane Hollingsworth, Nottingham Trent University Blood Wedding Reimagined by Kane Hollingsworth, Nottingham Trent University. With over 1,000 submissions, scholarships were awarded to 30 students for 22 projects in the architecture, interior design, landscape and entertainment industries. In December, Vectorworks crowned the winners of the 2022 Vectorworks Design Scholarship with Michelle Wanitzek taking home the coveted Richard Diehl Award.
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